Tag: FPS

  • In the flames of the popcorn pot, see through the rural metaphor of Ju Fufu and absurd life

    Mo Yan’s writing is always strong and full, with a rural flavor, mixed with magic and reality. He likes to use the simplest images to portray the most complex worldly conditions. Ju Fufu, the game character, carries a “popcorn pot” and rushes into the battlefield with a burning flame. If Mo Yan were to write about her, he would tightly entangle her with the smell of soil, the absurdity of human nature, and the spirit of resistance.

    1. Popcorn pot – the absurd power in rural fireworks
    Mo Yan’s writings often have absurd scenes of farm tools turning into weapons – hoes chopping people and iron pots flying. And Ju Fufu’s “popcorn pot” is a modern version of “countryside weapons”. The hot oil in the pot makes a “sizzling” sound, frying one popcorn after another. This sound and flame bring the fireworks of the open-air stalls in the field into the battlefield. She is not waving a shining holy sword, but a homely utensil full of the warmth of the land. This absurdity is full of truth, which is the original power of “farmers can use a hoe as a knife” in Mo Yan’s writing.

    2. Normal attack combos and the rhythm of rural farm work
    Ju Fufu’s three-stage normal attack combo is like a farmer plowing the field three times – one plow to rake the soil, one plow to sow hope, and the third plow to consolidate the results. The third stage of the combo can be connected to the fourth stage of the attack, which is like a harvesting action that knows how to accumulate power during the critical farming season. The accumulation of heat in the hot pot corresponds to the farmer’s sensitivity to weather, timing, and land. Mo Yan would say that this girl knows how to “talk to the field” and how to use the pot to fight the enemy back and forth.

    3. The heat mechanism reveals the anger and emotional accumulation in the heart
    The “heat” in the game symbolizes the accumulation and explosion of emotions. The more Ju Fufu fights, the higher the heat, the more angry and passionate he becomes. Mo Yan would describe this as a soul that has been suppressed for too long accumulating power in the soil. Each attack is not only a counterattack against the enemy, but also a slap in the face of the beasts and injustice of society. When the heat is full, she is no longer just a girl who makes hot pot, but a warrior with a burning heart.

    4. Resistance and rural elegance in dodging and spinning
    Although Ju Fufu’s dodging is manic, there is a sense of rural rhythm in the spinning. She is like a village woman practicing swords on the mud. Although her movements are not light, they are measured and powerful. Short-pressing invincible sprint is like a short escape from the market, and long-pressing spinning is like picking up a sickle to “do it”. Mo Yan likes this style of “rationality in roughness and restraint in wildness”. Spinning is not only her posture to deal with the enemy, but also like a circle of spells in the local accent, singing the resistance of “I don’t obey, I want to live” in the flames.

    5. Strengthening skills and flame ritual sense
    When she swings the pot and spins, the flames surround her, and popcorn fills the sky, it is like the “New Year customs” or “sacrifice” described by Mo Yan. The villagers burned paper, set off firecrackers, and sparks flew; Ju Fufu’s battle was like completing a ritual, using fire and pot to prove her existence. She did not fight for violence, but to let the world see her courage and passion. The dance of flames and pots can be called a ritual against the indifferent world.

    6. Linkage skills and mutual assistance like fellow villagers
    Ju Fufu gave teammates shields and released linkage skills, like the villagers pulling “shows”, working together in the fields and playing mahjong. Her shield is not excessive heroism, but the kind of “hands are covered with calluses but still willing to block the rain for you” reality. She will fight side by side with her comrades, like the brothers and sisters in Mo Yan’s works, carrying the war on her shoulders and irrigating hope with sweat. As Mo Yan wrote: “In a world full of turmoil, the most reliable people are always these lost folks.”

    VII. Core skills and field experience of growth
    When the “popcorn pot” attacks automatically and as the level increases, her power will not disappear, just like the real hometown complex, the kind of power that is deeply rooted in the bones. Mo Yan would say that people who have experienced farming and feeding pigs, even if they have been away from their hometown for many years, the physical memory of “you know the depth of the mountain when you climb the slope” will allow you to continue to ring the world with “you have your own land in your heart”. Her core skill is such a power – deep, simple, and cannot be achieved quickly.

    VIII. Imagery and shadow painting like rural poetry
    The final flame shadow painting is the projection of the land in her heart. The large piece of fire painted under the popcorn pot is like the brilliance of the rice fields after frost, and also like the silent waiting of the only lamp at the head of the village. She engraved her story in the air like a flame, allowing herself to resonate with this wasteland-like world. Mo Yan would say that this is “letting the barren land bloom and letting the absurd people live with dignity”. The story of Ju Fufu is both absurd and real.

    Conclusion: The hot pot is a sword, and the soul of the countryside burns in the virtual world
    If Mo Yan were to write about Ju Fufu, he would write a poem about the fire in the countryside on the “popcorn pot”. She is a warrior with the smell of fireworks, as real as the firewood stove in the village. She uses the pot to create heat, uses the fire to illuminate the way ahead, and uses cooperation and support to connect people. Although her battle is virtual, it has real blood and texture.

    In the flames of the popcorn pot, she is not a hero, not a god, but just a mortal with roots. Her strength comes from life, from the countryside, and from the unyielding heat. She shows us that absurd tools can also breed warmth and dignity. Living in even the hottest pot can bloom tenacious flowers.

  • Plateau visitors and veterans confront: the new order of firepower in version 2.8

    The wind came down from the plateau, blowing through the battlefield of dust and gunfire. Some people stand on the top of the mountain, while others run in the valley. The world is updating, and even the most familiar tools are changing. In the 2.8 version, the AUG gun is no longer a rare weapon in the sky, but comes to the ground, competing and fighting with thousands of people in the world, like a wild horse that once ran on the snow line, walking down the mountain and mixing into the camel herd on the grassland.

    It was originally an elite born from an airdrop box, and now it is in the same world as the old horse M416, which makes people inevitably make some comparisons. This comparison is like two rivers meeting at the foot of the mountain, a confrontation between speed, strength and fate. Starting from the damage value, both stand on the number 41, like two seemingly equal peaks, but upon closer inspection, the terrain, wind direction, and water source are different, making each way up the mountain have its own hardships and scenery.

    Control is the essence of all shooting art. The recoil of a gun is the hidden wind, the echo of the earth after every pull of the trigger. In the past, the recoil of AUG was small, because it was born in airdrops and had advantages from the beginning of its design. Now, its recoil has been adjusted again – 20% vertically reduced, and 20% of the horizontal frenzy has been cut, like a tamed horse, which retains its wildness and is willing to obey the master’s gestures when running. In comparison, although the M4 is stable, it is more likely to lose control when firing continuously, like an old craftsman, who has moments of failure in between skilled gestures.

    But this is not a simple battle of victory or defeat. The M4 is one second faster in reloading speed. That second may be a breathing space when facing the enemy, or it may be a desperate situation when the opponent is pressing. The AUG bullet is faster, 900 meters per second, more than the 880 meters of the M4, but what does that 20-meter speed mean in the real melee world? Maybe it just makes the wind pass the enemy’s ears a little earlier.

    When shooting from the hip, the AUG is also more accurate, because it is stable, just like a carved stone that does not shake easily in the wind and sand. But how many people can survive by shooting from the hip? In the intersection of mountains and cities, in the flames and smoke, what is truly tested is the human heart – trust in weapons, grasp of rhythm, and judgment of fate.

    The change of versions is like the arrival of monsoons, and all familiar orders may be disrupted. AUG fell from a high place, no longer rare, but not so easy to find. Some people say it is as rare as M24, which means that luck is still needed. But if you encounter it, you might as well try the feedback of the grip and the more stable trajectory. Maybe you will find that this horse from a high place can still run like the wind in the mud.

    Of course, this world is not only about performance, but also about face. Skin is like armor, and if a gun is not decorated with brilliance, it will inevitably be looked down upon. So, the virtual currency called UC became the key to changing the appearance. How can I get it faster? Some roads can be shortcutted, and places like Treabar provide better options than the original ones, just like a narrow path that actually leads directly to the top of the mountain, but you don’t often walk it.

    In the end, no matter whether the gun in your hand is AUG or M4, it will eventually obey your will and decide who will survive and who will be silent in countless confrontations. And behind this gun dispute, what is hidden is actually everyone’s attitude towards change – whether to stick to the familiar or embrace the new life.