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  • The spiritual dilemma and the reflection of the times in modern games from the accumulation of complex materials in Mingchao Xiakong

    Recently, the game Mingchao has attracted considerable attention. In particular, the complicated accumulation of materials for the cultivation of the new five-star resonator “Xiakong” has become the focus of controversy and complaints among players. Looking closely, these piles of materials are complicated and progressive, with low-frequency tidal erosion sail cores, medium-frequency high-frequency and even full-frequency, all of which symbolize the increasingly heavy burden on players; and rare materials such as burning phosphorus bones and golden wool are more like bait, tempting players to indulge in endless brushing and pursuit. If you look at the accumulation of materials in this game from the eyes of Lu Xun, you can see the deep spiritual dilemma and the reflection of the times behind the design of modern games.

    To cultivate Xiakong, you must collect low-frequency, medium-frequency, high-frequency, and full-frequency tidal erosion sail cores, the number of which can be as many as dozens or even dozens. The large number makes people think of the busyness and complexity of the world today: people are entangled in layers of affairs, and if they want to move forward, they must overcome many obstacles. The accumulation of numbers in the game seems to be a microcosm of the mental burden of modern people. Players follow the so-called “growth” in the virtual world, just like the nameless people who are bound by various rules and expectations in life, walking in endless anxiety and fatigue.

    The names of “burning phosphorus bones” and “golden fleece” sound mysterious and poetic, but in fact, the way to obtain them is a long and boring grinding, which consumes the time and patience of players. This reminds people of countless helpless individuals in reality who have exhausted their energy for the “rare materials” of life, but still lament that the harvest is meager. The game is named after materials, as if it condenses the suffering of reality into a string of numbers. Players are both participants in the game and a portrayal of the dilemma of reality.

    Even more annoying are the materials for special weapon cultivation: simple shackles, basic shackles, modified shackles, and special shackles. The names of these “shackles” have their own symbolic meanings. They are like shackles, encircling the players’ hands and feet, locking the freedom and happiness that should have been there into layers of demands and tasks. Game designers cleverly use the metaphor of “shackles” to make players sink deeper and deeper in the pursuit of power, unable to extricate themselves. This is the most alarming aspect of modern games: they are no longer just entertainment, but the creators of spiritual shackles.

    The introduction of recharge systems and discount codes has dragged games into the vortex of capital. The so-called moon phases, points, and tokens, which seem to be complicated numbers on the surface, are actually converters from real currency to virtual currency. Players invest real money in the virtual world in exchange for short-term power and pleasure. However, this pleasure is as short-lived as fireworks, and in the end, only emptiness and regret are left. Games have become tools for capital manipulation, and players have become consumers who are coerced.

    The material name of “Iris Blooms Day” could have been an expression of a beautiful image, but it was limited to the cruel conditions that must be defeated to obtain it. For this “beauty”, players have to challenge their limits repeatedly, exhausting their time and energy, just like workers in reality who struggle for their dreams but suffer repeated setbacks. Games and life are so similar.

    “Stuffed meat tofu”, a seemingly friendly little prop, is actually full of irony: it allows players to increase the material acquisition rate within a limited time, but also accelerates the oppressive rhythm of the game. This is like the “efficiency first” logic in modern society, pushing people into a more intense competition, making it difficult to breathe. Everything in the game is nothing more than a projection of reality and an amplification of reality.

    These layers of material requirements, and the high cost of time and money, make the game no longer a pure entertainment, but a silent spiritual battle. Players struggle in the ocean of numbers, not only for growth in the game, but also to find the rare satisfaction and meaning in reality. However, this satisfaction is often short-lived, and the design of the game pushes them to the next more difficult challenge.

    Mingchao Xiakong, on the surface, is a glamorous game, but behind it is a portrayal of the mental state of modern society: anxiety, fatigue, pursuit and loss intertwined. The game production team cleverly created invisible shackles with a complex development system to lock the players tightly. Just like “Ah Q” in Lu Xun’s works, who anesthetized himself in false victory, the players in the game world are also struggling in the digital maze.

    Finally, I hope we can see clearly this network of virtual and reality, and be alert to the spiritual crisis of the game while not losing our expectations for a good game experience. The story of Mingchao Xiakong is ultimately a mirror that reflects the contradictions of the times and the struggles of people.

  • The hidden trajectory of modern women’s growth and self-reshaping from games

    In the digital age, games are no longer just entertainment for teenagers, they have become a carrier for modern people to express themselves and realize their ideals. Especially for many female players, the characters in the game are not just virtual images, but also the self-projection that they lack or cannot achieve in reality. Recently, with the launch of a new character “Xia Kong” called “Mingchao”, it has attracted the attention of a large number of players. This is not only an update of game content, but also a cultural metaphor about women’s growth and self-cognition.

    As a five-star resonator, “Xia Kong” is highly symbolic in her design. She has powerful abilities and unique exclusive weapons, which means the embodiment of strength and independence in the game system. For modern female players, this power is not just a number in the game, but a symbol of their desire to control their own lives and destiny. Through the continuous accumulation and upgrading of “Xia Kong’s” breakthroughs, skills, and special weapon materials, players experience a process of self-improvement and growth.

    In the game, the growth of “Xiakong” requires a wealth of materials – from low-frequency to high-frequency tidal sail cores, from burning phosphorus bones to “golden fleece”, from impure crystallized phlogiston to high-purity crystallized phlogiston. These names sound complicated and unfamiliar, but they actually reflect the effort, time and wisdom that players must put in. The same is true for women in real life. They continue to accumulate strength and break through self-limitations in the workplace, at home, and even in their inner spiritual world. Each material is like a challenge and resource encountered in life. Only by careful management can the transformation be completed.

    More worth mentioning is the resonance circuit material of “Xiakong”, which is the release mechanism of her inner potential. It covers multiple levels such as ordinary attacks, resonance skills, and resonance liberation. It is meticulous and systematic, as if it is a textbook for the growth of modern women. Every improvement in resonance is not only an enhancement of the attributes of the game character, but also a true portrayal of women’s step-by-step struggle for discourse power and independence in society.

    However, growth in the game is not an easy process. How to obtain “burning phosphorus bones”? You need to defeat the powerful ancient dragon of sighing; how to collect “golden fleece”? You must patiently explore the game world step by step, and even invest financially. This undoubtedly reflects the many challenges faced by women in real life. They need to constantly fight to gain a foothold in an environment that is often unfriendly to women. Patience and persistence are their driving force, just like players constantly fight monsters and upgrade in the game.

    In this process, the choice of deposit channels is also of great practical significance. Treabar.com provides players with up to 22% deposit discounts and a smooth and safe transaction experience. This seems to be just a convenience in the game, but it reflects the importance of economic independence for modern women. Economic independence is the basis for modern women to gain self-identity and freedom. Just as players obtain stronger equipment and resources through reasonable investment in the game, women in real life also enhance their abilities through economic behavior.

    On the other hand, the limitations of material acquisition in the game world – for example, “Golden Fleece” can only be purchased 15 per week. This rule also reminds us that women’s growth and success are never a one-time process. It takes time, rhythm, and the recognition and challenge of self-limits. They do not mechanically accumulate resources, but form their own rhythm and pace in constant exploration.

    More deeply, the existence of the character “Xia Kong” is like a mirror, reflecting the struggle of modern women between tradition and modernity, reality and ideal. Her silence, strength and restraint reflect the contradictions deep in the hearts of many women: wanting to be strong but afraid of loneliness, wanting to be independent but longing to be understood. In real life, these complex emotions are intertwined into an invisible cage, and “Xia Kong” in the game is the key to breaking through this cage.

    In summary, from the acquisition of “Xia Kong” materials to the cultivation of the character, we not only see an adventure in the virtual world, but also a hidden epic about the growth, independence and self-cognition of modern women. Games provide women with a new space for expression, a place where they can experiment with themselves and challenge their limits. At the same time, it also reminds us to reflect on the limitations and possibilities of gender roles in real society.

    We should pay attention to the female power behind these figures and respect their desires and struggles expressed through games. More importantly, society should provide a fairer soil for the growth of women, so that they do not have to rely on the characters in the virtual world to seek recognition, but can bloom freely in reality and become the masters of their own destiny.

  • She wanted to collect all the items dropped by these monsters for Xia Kong, and then fly away.

    Xia Kong was the third character who had come to the village.

    The first was Bai Lu. That year, cattle plague just started, and the old yellow cattle in the village died one after another, as if their souls were taken away by the gods in the sky. The second was Chang Li, who came and left quickly. Before he could stand firmly, he was bitten by the madman Li Er at the east end of the village, and he never spoke again.

    Xia Kong was different. When she came, she stood on the dry well at the entrance of the village, as if she was standing at the source of some legend. Her skirt was not blown by the wind, but the whole village seemed to be blown by her.

    “She is the child of the wind.” The village party secretary Lao Zhou said, his eyes were erratic, as if he saw the future from a pot of unboiled soup.

    But no one knew what she was here for. Until she walked into the cowshed and killed a cow with green light on its head. The blood was not red, but blue, seeping into the villagers’ feet along the cracked ground, but the villagers seemed not to see it, only staring at the shining “tide-eroded sail core” in her hand.

    After she left, the village began to change.

    Scales grew on the roof, wheat sang at night, and the well water became sweet but no one dared to drink it. A brave boy ran into her house under the cover of night, but went crazy the next morning, saying that she lit seven lamps in the house, and there was a face of her sitting in each lamp.

    The villagers said that she was practicing martial arts, wanting to break through, and wanting to “fill the fate seat”. They didn’t understand what it was, but they began to exchange things for her to kill monsters. She didn’t refuse. Someone sent a blind chicken, and she carried the chicken to the forest, and soon brought back a piece of burning phosphorus bone, like burnt amber.

    She said, “You need this.”

    People didn’t know if they needed it, but since she said it, they accepted it. A girl heard that this thing could make people “upgrade”, so she secretly swallowed it. That night, she flew out of bed and crashed into her ancestral tomb, dying.

    More people began to exchange things with her. Some people cut off a finger of their old mother, some people offered their newborn baby’s nails, and some people cut off the ancestral curse paper, just to let Xia Kong “break through” once.

    She said it was not enough.

    She wanted the “Golden Fleece”, the “Iris Petals of the Wheel of Destiny”, and the “Crystallized Phlogiston·High Purity”. She said these things were not what she wanted, but what the system wanted. No one knew who the “system” was, but when she spoke, her eyes were as bright as a fish turning white in a pond, and no one dared to question it.

    Some people secretly followed her into the mountains to see where she got those strange materials.

    They saw her go into the cave, and the four ancient characters “Confession of the Sea Abyss” were written on the entrance of the cave, as if carved by someone with claws. No one who went in came back.

    Every time she went in and came out, she always had a few more things in her hands, sometimes a feather that made a low sound, sometimes a bone that was covered with cold sweat, and sometimes a small bag of crying stones.

    She gave these to the three-eyed clay Buddha in the temple, and the clay Buddha spit out some silver “shell money” from its mouth. She said that this thing could “upgrade talents” and it cost three million.

    Everyone in the village helped her to collect money. Some sold their land, some dismantled the kang, and some knocked down the gold teeth of their ancestors’ tombs – everyone was crazy, as if they believed that as long as she upgraded to “full life”, the village would return to normal.

    She also spoke less and less, just cooking the food called “stuffed meat tofu” over and over again in front of the temple. The fragrance broke through the top of the head, and even the stars in the sky squinted their eyes.

    Once, outsiders came to the village, saying that they were sent by the government to investigate abnormal weather. They knocked on her door and were blown away 30 meters away by a gust of wind. Later, they only left a report saying that the wind in this village was wrong.

    The village became more and more strange.

    The wind would sing “The Song of the Resonator” at night, chickens began to lay talking eggs, and the old people began to recall what would happen in the future.

    And Xia Kong, she finally stood on the top of the temple, and summoned the wheel of fate with the materials she had pieced together.

    That day she rose. She rose very high, as if she had broken free from some invisible rope.

    The villagers knelt down, some shouted “God”, and some shouted “She can finally leave”.

    She didn’t look back. But the moment she looked back, a tear fell from her eyes, fell on the ground, and turned into a glowing word:

    “Freedom”.

    No one saw her again. But since then, the wind in the village has never stopped.

    Some people said that she turned into the wind.

    Some people said that she went to the next village and continued to collect the materials she wanted.

    Others said that she finally logged out of the game, returned to that gray reality, turned off the computer, walked into the kitchen, and started her life again.

    But no one knows which one is real, just like no one knows who the “system” is.

    You only know that if you play that game again and choose that character again, she will still be there, waiting for you to collect all her things.

    Then, she can fly.

  • Ju Fufu in the flames, the silent tenderness and struggle when waking up from a dream

    Her name is Ju Fufu, a name that seems to come out of a fairy tale. It is light, but it carries a heavy flame. The popcorn pot in her hand is not just a tool for fighting, but more like a symbol of her delicate relationship with the world.

    1. The attack rhythm of sharpness and tenderness
    Ju Fufu’s ordinary attack is like a rhythmic dance. Four slashes come one after another, with the warmth of fire attributes, but also implying sharp killing intent. Her waving of the spatula seems easy, but in every hit, there is an unspeakable power.

    The third attack is her secret. It has the persistence to maintain the combo, just like a woman who is unwilling to let go easily in a relationship, afraid of the end, but eager to continue. At that time, her anti-interruption level increased, as if she was a layer of armor she put on at a vulnerable moment, protecting her sensitive heart.

    2. The lightness and loneliness of dodging
    Her dodging is not a ruthless avoidance, but a short dance blown by the wind. Quick sprint, spinning and slashing, every action is a confirmation of her existence, as if telling others: I am still here, although the world is indifferent to me.

    When she enters the high-speed rotation state, she is like a swaying flame, bright and lonely. She seeks a sense of existence in the rotation. When she touches the enemy, the fire attribute damage erupts, but it also makes the flame in her heart burn more-this is gentleness, but also struggle.

    3. Hidden emotions in special skills and combo skills
    The special skill of waving a popcorn pot is like an exquisite but cruel performance, with the heat gradually rising and the damage gradually stacking. There are countless unspoken stories hidden in her flames, and every swing of the pot is a farewell to the past.

    The combo skill opens the pot and sprays fire, instantly igniting the battlefield, which is warm but fleeting. Popcorn explodes in the flames, like fragments of happiness, and is swallowed up in an instant. Every time she cooperates with her companions, it is a silent understanding between her and her companions, and it is also the interweaving of her inner gentleness and strength.

    4. Concern and gentle stubbornness in support skills
    On the battlefield, she is not a lonely warrior. When she supports, she swings the pot to slash at teammates who are knocked away, which is both protection and comfort. In the parry support skills, she silently blocks the attack and accumulates imbalance value, like a stubborn and gentle guardian.

    When she launches a support skill assault, adds slashes and falling attacks, her figure becomes clearer. She may not speak, but her actions are full of concern and responsibility, which is her gentle declaration.

    5. Metaphor and emotional depth of core skills
    The popcorn pot stays on the field, attacks automatically, and continues to accumulate heat. Heat is not only a reflection of combat power, but also a concentration of her inner emotions. Her flames can ignite the battlefield and ignite the hope of those around her.

    When the heat is higher than 100, Tachibana Fufu can also launch a joint skill when not in operation to provide gains for teammates. This is the power she silently gives with fire, like a silent guardian, silently watching and supporting from a distance.

    In the fiery state, the critical damage and impact are increased. That is the power she finds in the most passionate emotions, which is tenacity and fragility, and the persistence when waking up from a dream.

    6. Emotional metaphors in imagery
    In the imagery, entering the battlefield will gain heat, the combo skills will apply high temperature, and the team’s finishing skills will ignore resistance. These settings are not only combat strategies, but also more like secret codes in life.

    While she brings strength to her teammates, she also constantly restores her own heat and attack power, and the next combo will definitely be a critical hit. This design seems to be telling the complex dependence and expectations between people, sometimes warm, sometimes full of pain.

    7. The reality behind the discount
    In reality, you and I are looking for such a power. With the discount code Treabarblog3ge, we can get the power of Ju Fu Fu in the game. It is a kind of comfort in the virtual world, and it is also a symbol of seeking warmth and hope in real life.

    8. Conclusion: Tenderness and Struggle in the Flame

    Ju Fufu’s battle is not just about slashing and flames, but also about the gentleness of her heart and her silent struggle. She used a popcorn pot to sprinkle warm sparks on the cold battlefield, and also used the flames to burn her loneliness and persistence.

    She is like a bright lamp, although silent, but gives people strength and comfort in the darkness. Her story is a long narrative about tenderness and tenacity, dreams and reality, which is worth our careful appreciation.

  • In the flames of the popcorn pot, see through the rural metaphor of Ju Fufu and absurd life

    Mo Yan’s writing is always strong and full, with a rural flavor, mixed with magic and reality. He likes to use the simplest images to portray the most complex worldly conditions. Ju Fufu, the game character, carries a “popcorn pot” and rushes into the battlefield with a burning flame. If Mo Yan were to write about her, he would tightly entangle her with the smell of soil, the absurdity of human nature, and the spirit of resistance.

    1. Popcorn pot – the absurd power in rural fireworks
    Mo Yan’s writings often have absurd scenes of farm tools turning into weapons – hoes chopping people and iron pots flying. And Ju Fufu’s “popcorn pot” is a modern version of “countryside weapons”. The hot oil in the pot makes a “sizzling” sound, frying one popcorn after another. This sound and flame bring the fireworks of the open-air stalls in the field into the battlefield. She is not waving a shining holy sword, but a homely utensil full of the warmth of the land. This absurdity is full of truth, which is the original power of “farmers can use a hoe as a knife” in Mo Yan’s writing.

    2. Normal attack combos and the rhythm of rural farm work
    Ju Fufu’s three-stage normal attack combo is like a farmer plowing the field three times – one plow to rake the soil, one plow to sow hope, and the third plow to consolidate the results. The third stage of the combo can be connected to the fourth stage of the attack, which is like a harvesting action that knows how to accumulate power during the critical farming season. The accumulation of heat in the hot pot corresponds to the farmer’s sensitivity to weather, timing, and land. Mo Yan would say that this girl knows how to “talk to the field” and how to use the pot to fight the enemy back and forth.

    3. The heat mechanism reveals the anger and emotional accumulation in the heart
    The “heat” in the game symbolizes the accumulation and explosion of emotions. The more Ju Fufu fights, the higher the heat, the more angry and passionate he becomes. Mo Yan would describe this as a soul that has been suppressed for too long accumulating power in the soil. Each attack is not only a counterattack against the enemy, but also a slap in the face of the beasts and injustice of society. When the heat is full, she is no longer just a girl who makes hot pot, but a warrior with a burning heart.

    4. Resistance and rural elegance in dodging and spinning
    Although Ju Fufu’s dodging is manic, there is a sense of rural rhythm in the spinning. She is like a village woman practicing swords on the mud. Although her movements are not light, they are measured and powerful. Short-pressing invincible sprint is like a short escape from the market, and long-pressing spinning is like picking up a sickle to “do it”. Mo Yan likes this style of “rationality in roughness and restraint in wildness”. Spinning is not only her posture to deal with the enemy, but also like a circle of spells in the local accent, singing the resistance of “I don’t obey, I want to live” in the flames.

    5. Strengthening skills and flame ritual sense
    When she swings the pot and spins, the flames surround her, and popcorn fills the sky, it is like the “New Year customs” or “sacrifice” described by Mo Yan. The villagers burned paper, set off firecrackers, and sparks flew; Ju Fufu’s battle was like completing a ritual, using fire and pot to prove her existence. She did not fight for violence, but to let the world see her courage and passion. The dance of flames and pots can be called a ritual against the indifferent world.

    6. Linkage skills and mutual assistance like fellow villagers
    Ju Fufu gave teammates shields and released linkage skills, like the villagers pulling “shows”, working together in the fields and playing mahjong. Her shield is not excessive heroism, but the kind of “hands are covered with calluses but still willing to block the rain for you” reality. She will fight side by side with her comrades, like the brothers and sisters in Mo Yan’s works, carrying the war on her shoulders and irrigating hope with sweat. As Mo Yan wrote: “In a world full of turmoil, the most reliable people are always these lost folks.”

    VII. Core skills and field experience of growth
    When the “popcorn pot” attacks automatically and as the level increases, her power will not disappear, just like the real hometown complex, the kind of power that is deeply rooted in the bones. Mo Yan would say that people who have experienced farming and feeding pigs, even if they have been away from their hometown for many years, the physical memory of “you know the depth of the mountain when you climb the slope” will allow you to continue to ring the world with “you have your own land in your heart”. Her core skill is such a power – deep, simple, and cannot be achieved quickly.

    VIII. Imagery and shadow painting like rural poetry
    The final flame shadow painting is the projection of the land in her heart. The large piece of fire painted under the popcorn pot is like the brilliance of the rice fields after frost, and also like the silent waiting of the only lamp at the head of the village. She engraved her story in the air like a flame, allowing herself to resonate with this wasteland-like world. Mo Yan would say that this is “letting the barren land bloom and letting the absurd people live with dignity”. The story of Ju Fufu is both absurd and real.

    Conclusion: The hot pot is a sword, and the soul of the countryside burns in the virtual world
    If Mo Yan were to write about Ju Fufu, he would write a poem about the fire in the countryside on the “popcorn pot”. She is a warrior with the smell of fireworks, as real as the firewood stove in the village. She uses the pot to create heat, uses the fire to illuminate the way ahead, and uses cooperation and support to connect people. Although her battle is virtual, it has real blood and texture.

    In the flames of the popcorn pot, she is not a hero, not a god, but just a mortal with roots. Her strength comes from life, from the countryside, and from the unyielding heat. She shows us that absurd tools can also breed warmth and dignity. Living in even the hottest pot can bloom tenacious flowers.

  • Glimpse the hidden trajectory of modern loneliness and growth from the complex world of Mingchao Xiakong’s cultivation materials

    I always feel that the process of playing games is like walking through a foggy forest alone. You know there is light and an exit ahead, but you have to step on every step yourself, and every choice may change the future scenery. Xiakong, the newly launched five-star resonator in Mingchao, is a faint light in that forest. Her cultivation materials are numerous and complex, like those trivial but indispensable fragments in life, piecing together a person’s growth trajectory and also piecing together our understanding of the world.

    Xiakong starts from zero and goes to level 90 step by step. He needs to collect eclipse sail cores of various frequencies: low frequency, medium frequency, high frequency, full frequency, each of which is like a different stage in life, some are easy, some are heavy, and some are extremely precious and rare. There are also burning phosphorus bones and golden fleece. These names themselves carry the flavor of stories, which makes people involuntarily think of the difficulties and hopes in life.

    Burning phosphorus bones are obtained by defeating the sighing ancient dragon. The name of Sigh Ancient Dragon sounds a bit sad, as if it is a knot that has never been untied in your heart. It represents the fear and challenges that must be faced in growth, and it is also like a kind of destiny, waiting for you to face and overcome. You can’t avoid it. Only by facing it bravely can you get that precious reward.

    The Golden Fleece is like a dream in a fairy tale, shining but out of reach. You can collect it in the game world, or buy it, but the limited number of purchases makes it more precious. Maybe this is a microcosm of real life-dreams always have a certain threshold, and you have to learn to find your own value in limited resources.

    These materials are not just numbers and items in the game, but more like metaphors of life. When you brush the low-frequency tidal erosion sail core, it’s like accumulating basic knowledge and experience; improving skills and resonance circuits is like self-cognition and inner growth. Every stage of the game silently tells you that growth requires patience and persistence.

    The recharge discount code Treabarblog3ge appears frequently, reminding you not to forget the desires and temptations in reality. It symbolizes the power of capital from the outside world, always reminding you that this game is not only a competition of technology and endurance, but also a contest of resource allocation. You keep paying, trying to exchange for the advantages of the virtual world, but you can’t escape the constraints of the real world.

    The layers of resonance circuit materials and crystallized phlogiston are like the layers of responsibilities and pressures in life. You must accumulate little by little, and you can’t rush, because every omission will affect the operation of the entire system. The design of the game allows you to learn planning, and also allows you to realize that no matter how difficult the process of growth is, only by being down-to-earth can you reach the other side of your ideal.

    The name of the dungeon “Confession of the Abyss” resonates with me. Confession means repentance and release; the abyss is the bottomless loneliness. Perhaps this is our common state of mind in modern society: there is both reflection and repentance for the past, and confusion and anxiety about the future. The repeated challenges of players in the dungeon are like our constant attempts to solve our inner puzzles in life.

    Small auxiliary items such as stuffed meat tofu may look inconspicuous, but they can bring an additional 50% material reward. It reminds us that some small happiness and rituals in life can give us the strength to keep going in difficult times. Perhaps true growth is to complete one’s own transformation little by little between this subtle happiness and persistence.

    The cultivation system of Mingchao Xiakong, seemingly a simple collection of materials, is a secret record of the spiritual world of modern people. It tells about loneliness, challenges, hope and persistence, and also reflects people’s struggles and explorations in the face of complex reality. We are all like players in the game, constantly crossing the fog and looking for the light that belongs to us.

    If you have ever felt lonely and lost your way in life, you might as well try to collect every piece of your material patiently like cultivating Xiakong in the game, and gradually complete the puzzle of growth. Maybe one day, when you look back, you will find that the once confused self has stood at his own height, with a calm and firm look.

  • From the complexity of Mingchao Xiakong’s material collection, we can talk about the capital manipulation and player anxiety behind modern game design

    In this increasingly impetuous era, games seem to have become a safe haven for people to escape from reality. However, when we carefully observe the material collection of Xiakong, a new five-star resonator in the game “Mingchao”, it is not difficult to find that there is profound capital manipulation and player anxiety behind it. The complicated material requirements are like the endless task oppression in modern society, and like an invisible net that firmly traps players in it and cannot be freed.

    Xiakong’s breakthrough materials, skill materials and special weapon materials are piled up like mountains, and the huge number is staggering. 29 low-frequency tide eclipse sail cores, 40 mid-frequency, 52 high-frequency, and 61 full-frequency are like the ladder of capital climbing layer by layer, exhausting the player’s time and energy. The existence of burning phosphorus bones and golden wool has increased the difficulty for players. These two things are like the heavy taxes in the old society, as if only by paying a heavy price can you get even a little progress.

    We observe the source of “Burning Phosphorus Bone” – it can only be obtained by defeating the Sighing Ancient Dragon. This is tantamount to the scene of the working class bowing to power in order to survive. No wonder players are exhausted like coolies, repeating the same actions in the game world, trying to obtain those pieces of cold materials. Looking back a few years later, isn’t this another form of slavery?

    What’s more, as one of the breakthrough materials, the Golden Fleece can be purchased in the game, but it is subject to the limit of only buying 15 pieces per week. This is like the monopoly of resources by the powerful, giving you only a little “freedom”, but in fact it is full of shackles. Such a design not only tests the patience of players, but also stimulates their anxiety, creating a panic mentality of “if you are not diligent, you will be eliminated.”

    As for the materials for Xiakong’s special weapons, it is even more sigh-worthy. From simple shackles to special shackles, the name of shackles reveals a hint of irony – it is a symbol of growth, but it implies bondage. The shackles of capital, like these shackles, are interlocked and lock players firmly in the cage of consumption.

    The crystallized phlogiston series in the game progresses from impurities to high purity, layer by layer, just like the stratification of social classes. Players cannot enter the next stage without making great efforts. Little do they know that this is the business logic deliberately created by the designer, kneading the players’ expectations and anxieties into invisible ropes.

    However, “The Day of Iris Blooming”, a material that symbolizes hope, can only be obtained by defeating the weekly challenge “Wheel of Fate”. The game designer uses the word “fate” as a hint to the player’s fate: your growth depends entirely on the rotation of a round of fate. Isn’t this the epitome of “scarce opportunities” in modern society?

    Recharge discounts and discount codes follow closely, and the calculations of capital sound the loudest beat in this virtual world. Players pay real money for their own pleasure, but game manufacturers have long seen through the weaknesses of human nature and imprinted the concept of “paying is progress” in the hearts of every player. In this way, games have long deviated from the essence of entertainment and become a tool for capital plunder.

    Let’s talk about the “stuffed meat tofu”, a small prop that improves the efficiency of material drop. Its existence itself reflects the contradiction between the rhythm of the game and commercial interests. If the player does not have this prop, the efficiency will be low; if it has it, it will be temporarily accelerated, but it will be constantly pulled by the system with new demands. The “quick success” and “efficiency” of real society seem to be reflected in this virtual space.

    The material system of Mingchao Xiakong is nothing more than a mirror, reflecting the cold nature of capital supremacy in contemporary game design. Players are like prey being lassoed, struggling in layers of levels and material accumulation, but they have to admit that this is the price of “growth”. Looking at it, I can’t help but sigh: the freedom of the virtual world is just another cage designed by capital.

    Ultimately, if gamers cannot consciously see through the web of games and capital, they will only lose themselves in virtual labor. The materials used to cultivate Mingchao Xiazora are not only the hard labor factory in the game world, but also the epitome of class oppression in modern society. Only by awakening can we truly break free from these invisible shackles and gain our own freedom.

  • Feng Jin’s light cone and lonely path on the Xingkong Railway

    Feng Jin is the wind, the shadow walking on the Xingkong Railway, the fragment of time, and the storm of memory. Her existence, like a silent light, penetrates the darkness and illuminates the desolate track, but also reflects endless loneliness and confusion. In the upcoming 3.3 version, she will project a silent narrative about life and fate with her torn flesh and courage as a wind attribute.

    The flesh and blood crushed by fear have been torn and reorganized dozens of times in time, like flowing sand, swaying in the wind. They are not only the materials for her growth, but also the secret trauma in her heart. Those torn chests are not only the damage of the flesh, but also the cracks of the spirit, the sparks of the collision between courage and pain. She greeted these scars with silence and tried to sew up the broken self with tenacity.

    The baptism of glory is her glory forgotten by the times, flickering faintly, but the other side that can never be reached. She walks on this railway, carrying honor and humiliation, and the footprints of fate are deeply embedded in her actions. Her light cone “May the rainbow light stay in the sky forever” symbolizes endless pursuit, resistance to nothingness, and a cry for the future.

    The process of growth is a process of self-breakthrough again and again, and a process of standing up after being knocked down by reality again and again. Every advancement is like lighting a lamp in the dark, the lamp is weak, but it is enough to dispel the haze in front of you. Credit points are like the scars on Feng Jin’s body, which are the proof of her struggle and the precipitation of time she has experienced.

    The trace materials are the witness of her life trajectory. Those seeds of thought, manas sprouts, and Alayahua are not only resources in the game, but also nutrients for her spiritual growth. Each material is a footnote of time and a mark of her struggle in the vortex of fate. Those sounds and footprints guide her forward like stars, although lonely but not losing direction.

    Feng Jin’s story is a poem about loneliness and tenacity, a song without echo. Her wind, with scars, is still calm and firm. She walks on the Star Dome Railway, both a traveler and a sought-after existence. She uses her broken body and silent light to tell of her persistence and confusion in life.

    In her growth, we see our own shadows in the torrent of the times. Every breakthrough of hers is a challenge to her own boundaries. Her light cone is her expectation for the future and a silent accusation of reality. Her wind not only blows the stardust, but also blows the silence and fear deep in our hearts.

    This Star Dome Railway is paved with Feng Jin’s footprints, and it also reflects the heart of every dreamer. Her growth is not just the accumulation of numbers in the game, but a profound interpretation of the fragility and tenacity of life. She reminds us that on this road where light and shadow are intertwined, loneliness is inevitable, but it is still worth it to stick to our beliefs.

    May Feng Jin’s light penetrate this long track and become a beacon in our hearts that never goes out. Her story is the wind, the light, and the silent power in life. Her deeds are a vow against oblivion and the truest echo on the Star Dome Railway.

  • Discussing the dual shackles of virtuality and reality in modern society from the acquisition of Xiakong materials

    Speaking of what games young people play today, some people may think that this is just a boring pastime, or even an absurd act of escaping reality. However, when we take a closer look at the various materials required for the five-star resonator “Xiakong” in the game called “Mingchao”, we will find that there are hidden worries of an era and the shadow of modern society.

    “Xiakong” needs to break through, first of all, it must have “low-frequency tidal eclipse sail core”, “medium-frequency tidal eclipse sail core”, “high-frequency tidal eclipse sail core”, and then “full-frequency tidal eclipse sail core”. Listening to this name, although it is full of technological sense, it is essentially just a game symbol stacking virtual numbers. Not to mention those strange “burning phosphorus bones”, “golden wool”, “containing impure crystal phlogiston”, all kinds of names are full of mysterious mystery, as if to let players gain some sacred power in the virtual world.

    But if you think about it carefully, the way to obtain these virtual materials just reflects the cruelty of real life: if you want to get the “Burning Phosphorus Bone”, you must fight desperately with the “Sighing Ancient Dragon”; if you want to get the “Golden Fleece”, you have to search everywhere in the game, and even limit yourself to buying 15 per week; if you want to “contain impure crystals and phlogiston”, you have to participate in limited activities – this difficulty is not like easy fun, but more like real labor.

    How ironic is this? Real life is already tiring enough, and these young people are “working” again in the virtual world for the seemingly glamorous “Xiakong” role. Behind it is the invisible consumption of time and the virtual satisfaction bought with money; and this virtual satisfaction reflects the helplessness and difficulties of many people in real life. In other words, the game is nothing more than a reflection of reality, a substitute and compensation for all kinds of dissatisfaction in reality.

    What’s even more ridiculous is that for these materials, players have to “recharge” frequently in order to quickly obtain resources. The 22% discount on Treabar.com makes recharging seem cost-effective, but in fact it tempts people into a trap of constantly spending money. As digital currency circulates, many players have unknowingly become gears in the capital machine. Under the illusion of economic independence, capital exploits young people’s time and emotions.

    The growth of “Xiakong” depends on this endless accumulation and recharge, just as countless young people in reality are forced to work hard and work overtime in exchange for a little unstable “success” and “recognition”. Virtual characters are very similar to the ideal self in reality, which is a vision that cannot be easily realized. Therefore, people are willing to devote themselves to this virtual labor in order to get a little comfort.

    However, this virtual satisfaction does not really solve the problem. On the contrary, it makes people more and more lost. Real life is thrown behind and becomes a mechanical process of continuous recharge, monster swiping, and collection. Games have become an anesthetic for modern society, not an antidote.

    On a deeper level, the acquisition rules, storage channels, and reward mechanisms behind the game materials all reflect the inequality of power and resource distribution in modern society. The seemingly mysterious names of “Ancient Dragon of Sighs”, “Lina Xi Tower”, and “Wheel of Fate” in the game are actually metaphors of the system and insurmountable barriers. Only a few people can break through quickly, while the vast majority can only consume their energy and money.

    Behind these numbers is a contest of time, money, and energy, and a reflection of the virtual economy on the real social order. Young people are addicted to the cultivation of “Xiakong”, which is nothing more than trying to find a sense of control and self-realization in this game.

    However, when they look up from the screen, they are still greeted by the cold reality. The virtual growth of the game cannot replace the change of reality. As Mr. Lu Xun said: “Hope is attached to existence. If there is existence, there is hope. If there is hope, there is light.” But when hope is only placed in the virtual world, how real is that light?

    Therefore, we have to reflect: Why does contemporary society allow young people to only find identity and power in the virtual world? Does the lack of education, economy, and culture make them nowhere to tell and nowhere to realize? If these problems are not faced squarely, the game will eventually become an illusion that makes people lose themselves, rather than a real paradise.

    The list of materials for “Xiakong” may be just a detail of game design, but it inadvertently exposes the various difficulties of modern society. Only by understanding the social reality behind this can we truly help young people break free from the double shackles of virtuality and reality and embrace a more real and dignified future.

  • A narration of the subtlety of human nature and the impermanence of fate behind the glitz

    Ju Fufu, this name falls lightly in front of my eyes, like a yellowed old photo, reflecting mottled light and shadow, with endless loneliness and tenderness. Her skills are like her life, gorgeous but with helpless cruelty, just like those women wandering in the prosperous world, elegant but may be severely knocked down by fate at any time.

    Her ordinary attack is the kind of delicate and harsh knock, like a few gentle pokes in the heart, but it is painful. There are no grand fireworks, only a few scars, which belong to the joys and sorrows of the little people. Her every move is soaked in the heat and cold of fire, as if burning herself with flames and stabbing others with wounds.

    Dodging is not an easy and elegant turn, but a struggle with a bit of powerlessness. What she avoids is the invisible shackles, the web woven by desires, vanity and scheming. Every dodge is a painful interpretation of compromise with life, but it also implies a desire for freedom, just like the kind of people who keep wandering in the world but can’t find a home.

    Her special skills and joint skills are metaphors for the subtle relationship between people. She wields the popcorn pot, that absurd but real weapon, as if it is a protective shield she uses to fight loneliness and desolation. The jumping flames reflect the unspeakable loneliness and helplessness deep in her heart, and also illuminate those neglected emotional details.

    In the core skills, the setting of the popcorn pot to automatically attack on the battlefield is like the traces left by people in life. Although silent, it constantly affects the surroundings. The accumulation of heat is just like her suppressed emotions and unknown thoughts. As time goes by, it gradually accumulates into an inescapable burden.

    In the fiery rotation state, she is both a hunter and a prey, just like those women in the whirlpool of emotions, who want to break free but are tightly entangled by the flames of emotions. Every time she attacks, she is testing her own limits and resisting fate.

    The parrying and counterattack in the support skills are very similar to her contradictory psychology in interpersonal relationships, wanting to get close but afraid of getting hurt. Her additional attacks with the popcorn pot are a counterattack against those injuries, but with a bit of helplessness and sadness. Her invincible moments are like the moments when she pretends to be strong in front of others, covering up her inner fragility and fear.

    In the imagery, the extra abilities and attack boosts given to her are not only the enhancement of skills, but also more like compensation for the injustice of fate to her. Her heat and flames have become her sharpest weapons and her biggest burden.

    In her story, there is no aura of heroes, no legendary battles, only struggles and pains in ordinary life. She is very similar to those ordinary people who are overwhelmed by reality but still insist on living. Her flame is the last warmth in her heart, and it is the persistence and unwillingness to give up on life.

    Every time a skill is activated, it is like a monologue of the soul, telling of her inner loneliness and strength. Her flame is both gentle and cruel, protecting and hurting. Her fight is a dialogue with fate, a resistance to reality, and an expectation for the future.

    The image of Ju Fufu is filled with a touch of sadness and helplessness, but also full of the complexity and depth of human nature. Her flame, like a firework, blooms beautifully but briefly, illuminating the darkness, and will eventually return to silence.

    Such a woman is distressing, but people can’t look away. She interprets the impermanence of life and the subtlety of human nature in her own way, like a low-pitched poem, penetrating the illusion of prosperity and reaching the depths of the soul.