In the long track of the universe, the train of destiny never stops. The arrival of version 2.7 is like a stage play that has been rehearsed for a long time, and it finally opens. Under the interweaving of light and shadow, two figures slowly appear on the stage – he is Sunday, and she is SP Tingyun. They are not ordinary characters, they are foreshadowings in fate, and reflections in the depths of the story.
When we gaze at this world, do we also realize that it is also gazing at us? In the dreamlike chapter of Penaconia, the name of Sunday has already carved a deep outline in people’s hearts. His voice has never been loud, but it can penetrate the silence. His existence is like a shadow, sometimes close at hand, sometimes out of reach. Now, he has finally walked out of the fog, wearing the halo of imaginary numbers, embarking on a harmonious destiny, and coming to the eyes of the pioneers.
He is a witness of stars and dust. He is not a hero in the hustle and bustle, but a spark in silence. His moves have not yet been revealed, but in every look of his, there are reverberations after the distortion of time and space. Such a character is not born for fighting, but for telling stories. He tells the story of a world where order and chaos dance together, and the invisible hand behind fate. He is a character standing silently in a corner of the stage in the drama, seemingly watching, but actually driving everything.
And SP Tingyun is another aesthetic presentation. She is no longer the gentle guide in the fairy boat “Luofu”, and time has carved different textures on her. According to rumors, she reshaped her appearance and transformed into a nine-tailed fox-like spirit, burning with fire flames, walking on the path of nothingness. She is like a lost memory, suddenly emerging and suddenly dissipating; she is also like a ray of light, piercing the silent night.
Her return is not only a reappearance of the character, but also a symbol of reincarnation. She comes from the past, but points to the future; she used to be a narrator, and now she has become the protagonist. Such a character is not only a combat unit in the game, but also more like a fable – a fable about disappearance, transformation and rebirth. She is an illusion in the hearts of players, and also an indispensable star in the long river of stories.
Version 2.7 is not a simple update, it is like the climax of a drama, an extension of a collective dream. The appearance of each character is a long shot carefully arranged by the director, and the advancement of each plot contains rhythm and tension. Sunday and SP Tingyun are the symbols of the two extremes in this scene – one is the power of speculation and balance, and the other is the dialogue between fire and nothingness.
In the face of the choice of drawing cards, every pioneer is like a spectator in the audience. Is it to choose the Sunday who is full of philosophy and quiet as night? Or embrace the SP Tingyun who is reborn in flames and dazzling? This is not just a trade-off between numbers and skills, but more like a self-examination: What kind of fate do you desire and what kind of ending do you want?
Don’t forget that outside this feast, the resources of “Ancient Dream Hua” are also quietly waiting to be used like props. It is not the protagonist, but it is an indispensable part of the story. Obtaining it through the right channels is like preparing props and waiting for the moment to go on stage. When the lights come down and the card pool opens, the story really begins.
This is a grand ceremony where dreams and reality intersect. Light and shadow, flames and imaginary numbers, fate and choice, all meet at this moment. We are all characters in the play, writing our own chapters in a journey with no end.